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Performative actions / photographs 2018
![](https://freight.cargo.site/t/original/i/5e55e25e3d1a6e4db67300158943b4a144f49d81a233fe4e1a08d7f988e96cfd/lotteflechristensen_december2018_Vestrekirkegard.jpg)
![](https://freight.cargo.site/t/original/i/d4a4351fc2da6dc9970b7f4a908ff829e5a72fe7cffc4e850b59ae821aedf933/lotteflechristensen_december2018_Ryvangen.jpg)
Stillness, emptiness, silence: in the excess of today’s society of imagery, the pause, the gap, the nothing between things is increasingly important.
Martina Weinhart in Seeing Nothing – Experiences of Radical Reduction in Image and Space since the 1960s
Martina Weinhart in Seeing Nothing – Experiences of Radical Reduction in Image and Space since the 1960s
![](https://freight.cargo.site/t/original/i/542ffa5d9ebf3ed7f15b9e54dfcbf91dfb73850b912e49e1c8daf09d8faabb4c/IMG_9499-copy.jpg)
One might posit that these ’blank’ pages (I prefer the word ’blank’ to ’empty’ to describe them) have a relationship to Heideggerian ’danger’ – the risk that we might be unwilling to acknowledge that blankness is a claim made on us.
Aron Vinegar in Ed Ruscha, Heidegger and Deadpan Photography i Photography after Conceptual Art
Screenshot from the online exhibition Paper by Valentine Editions
Aron Vinegar in Ed Ruscha, Heidegger and Deadpan Photography i Photography after Conceptual Art
![](https://freight.cargo.site/t/original/i/d9a736599129bd1ce6da1196821942df19c2b71939773c3ed6592715f2962f62/Screenshot-2021-08-24-at-14.51.36.jpg)